horror movies scheduled for release in 2012 ,monster headphones outlet, or 2013, a glaring absence considering the studio pedigree.
Nothing is eternal, however, and this company has been through dry patches before. In the interim, the films in its library form an imposing percentage of the best ever made. Were it not for those efforts, the studio might never have made it to 100. Happy anniversary Universal Pictures, and thanks for all the scares. I suspect your second century will end up just as frightening as your first.100 Years of Universal HorrorBack in the day, most major studios in Hollywood became known for specializing in a particular genre. They produced all kinds of pictures, of course, but their output in one specific type of movie helped establish their identity. 20th Century Fox, for example, had science fiction films. Warner Bros. did gangster pictures. MGM had its musicals, and Disney naturally excelled at animated features.But the monsters the monsters belonged to Universal.April 30th marks the 100th anniversary of Universal Pictures, founded by dry goods merchant Carl Laemmle who believed that were the wave of the future. Over the years, the studio produced films of every variety, from Schindler List to Animal House to Francis the Talking Mule, and monster beats added eight Best Picture Oscars to its trophy case in the process. Time and again, however, it returned to cinema darkest corners, and in the process created a truly impressive array of horror classics. In honor of the anniversary, we thought we take a brief look at Universal proud history in the genre, and the influence their movies continue to exert.The BeginningsFrom the earliest days, Universal had a knack for monster movies. The company officially incorporated in 1925, the same year they released Lon Chaney The Phantom of the Opera. Two years earlier, Chaney Hunchback of Notre Dame became the studio highest grossing film ever. With the star as their engine, they plunged forward enthusiastically with a full bevvy of horror films. Subsequent silent works included The Cat and the Canary, The Cat Creeps, ,outlet monster, and The Man Who Laughs: a film that Batman co-creator Bob Kane cited as a major influence on the development of the Joker.The Classic EraChaney died in 1930, but the blow didn slow down the trend he helped create. Indeed, with the advent of sound came a legacy that may stand unequalled in the annals of the genre. German Expressionism fueled the movement, as did anxieties about the Depression and the rise of fascism across the globe. Horror movies, particularly those from Universal, gave audiences a safe catharsis for those fears. Bela Lugosi Dracula and Boris Karloff Frankenstein appeared in 1931, projects that Chaney would have likely headlined had he lived. Their immense success launched two decades worth of classic monster ,beats by dre outlet, pictures, including The Mummy, The Invisible Man, The Wolf Man, The Bride of Frankenstein, The Raven, The Old Dark House, The Black Cat, Werewolf of London and a seemingly endless array of sequels and spin-offs.The trappings of these movies quickly become horror clich spooky castles, gypsy curses and hunchbacked assistants and now serve as the basis for every elementary school Halloween decoration in the country. Lugosi and Karloff remain the definitive version of their respective characters, as do The Invisible Man Claude Rains, The Wolf Man Lon Chaney, Jr. and The Bride of Frankenstein Elsa Lanchester. Even as the trend faded in the late 1940s, Universal continued milking it most notably with the last of their monster movies, The Creature from the Black Lagoon in 1954, but also in satires and parodies like Abbot and Costello Meet Frankenstein.The 1950s and 1960sThe 50s saw a fundamental shift in the genre, as Gothic houses and romanticized undead gave way to the terrors of the atomic age. Universal struggled to keep up with changing tastes, while ownership of the studio changed hands and various corporate owners began sticking their fingers in the pie. Though they produced a pair of minor classhorror movies scheduled for release in 2012 ,monster headphones outlet, or 2013, a glaring absence considering the studio pedigree.
Nothing is eternal, however, and this company has been through dry patches before. In the interim, the films in its library form an imposing percentage of the best ever made. Were it not for those efforts, the studio might never have made it to 100. Happy anniversary Universal Pictures, and thanks for all the scares. I suspect your second century will end up just as frightening as your first.100 Years of Universal HorrorBack in the day, most major studios in Hollywood became known for specializing in a particular genre. They produced all kinds of pictures, of course, but their output in one specific type of movie helped establish their identity. 20th Century Fox, for example, had science fiction films. Warner Bros. did gangster pictures. MGM had its musicals, and Disney naturally excelled at animated features.But the monsters the monsters belonged to Universal.April 30th marks the 100th anniversary of Universal Pictures, founded by dry goods merchant Carl Laemmle who believed that were the wave of the future. Over the years, the studio produced films of every variety, from Schindler List to Animal House to Francis the Talking Mule, and added eight Best Picture Oscars to its trophy case in the process. Time and again, however, it returned to cinema darkest corners, and in the process created a truly impressive array of horror classics. In honor of the anniversary, we thought we take a brief look at Universal proud history in the genre, and the influence their movies continue to exert.The BeginningsFrom the earliest days, Universal had a knack for monster movies. The company officially incorporated in 1925, the same year they released Lon Chaney The Phantom of the Opera. Two years earlier, beatsbydrdrehotsale2013 Chaney Hunchback of Notre Dame became the studio highest grossing film ever. With the star as their engine, they plunged forward enthusiastically with a full bevvy of horror films. Subsequent silent works included The Cat and the Canary, The Cat Creeps, ,outlet monster, and The Man Who Laughs: a film that Batman co-creator Bob Kane cited as a major influence on the development of the Joker.The Classic EraChaney died in 1930, but the blow didn slow down the trend he helped create. Indeed, with the advent of sound came a legacy that may stand unequalled in the annals of the genre. German Expressionism fueled the movement, as did anxieties about the Depression and the rise of fascism across the globe. Horror movies, particularly those from Universal, gave audiences a safe catharsis for those fears. Bela Lugosi Dracula and Boris Karloff Frankenstein appeared in 1931, projects that Chaney would have likely headlined had he lived. Their immense success launched two decades worth of classic monster ,beats by dre outlet, pictures, including The Mummy, The Invisible Man, The Wolf Man, The Bride of Frankenstein, The Raven, The Old Dark House, The Black Cat, Werewolf of London and a seemingly endless array of sequels and spin-offs.The trappings of these movies quickly become horror clich spooky castles, gypsy curses and hunchbacked assistants and now serve as the basis for every elementary school Halloween decoration in the country. Lugosi and Karloff remain the definitive version of their respective characters, as do The Invisible Man Claude Rains, The Wolf Man Lon Chaney, Jr. and The Bride of Frankenstein Elsa Lanchester. Even as the trend faded in the late 1940s, Universal continued milking it most notably with the last of their monster movies, The Creature from the Black Lagoon in 1954, but also in satires and parodies like Abbot and Costello Meet Frankenstein.The 1950s and 1960sThe 50s saw a fundamental shift in the genre, as Gothic houses and romanticized undead gave way to the terrors of the atomic age. Universal struggled to keep up with changing tastes, while ownership of the studio changed hands and various corporate owners began sticking their fingers in the pie. Though they produced a pair of minor classhorror movies scheduled for release in 2012 ,monster headphones outlet, or 2013, a glaring absence considering the studio pedigree.
Nothing is eternal, however, and this company has been through dry patches before. In the interim, the films in its library form an imposing percentage of the best ever made. Were it not for those efforts, the studio might never have made it to 100. Happy anniversary Universal Pictures, and thanks for all the scares. I suspect your second century will end up just as frightening as your first.100 Years of Universal HorrorBack in the day, most major studios in Hollywood became known for specializing in a particular genre. They produced all kinds of pictures, of course, but their output in one specific type http://monstersbeatbydrdre.webs.com of movie helped establish their identity. 20th Century Fox, for example, had science fiction films. Warner Bros. did gangster pictures. MGM had its musicals, and Disney naturally excelled at animated features.But the monsters the monsters belonged to Universal.April 30th marks the 100th anniversary of Universal Pictures, founded by dry goods merchant Carl Laemmle who believed that were the wave of the future. Over the years, the studio produced films of every variety, from Schindler List to Animal House to Francis the Talking Mule, and http://monstersbeatsdrdre2013.webs.com added eight Best Picture Oscars to its trophy case in the process. Time and again, however, it returned to cinema darkest corners, and in the process created a truly impressive array of horror classics. In honor of the anniversary, we thought we take a brief look at Universal proud history in the genre, and the influence their movies continue to exert.The BeginningsFrom the earliest days, Universal had a knack for monster movies. The company officially incorporated in 1925, the same year they released Lon Chaney The Phantom of the Opera. Two years earlier, Chaney Hunchback of Notre Dame became the studio highest grossing film ever. With the star as their engine, they plunged forward enthusiastically with a full bevvy of horror http://beatsbydrdrehotsale2013.webs.com films. Subsequent silent works included The Cat and the Canary, The Cat Creeps, ,outlet monster, and The Man Who Laughs: a film that Batman co-creator Bob Kane cited as a major influence on the development of the Joker.The Classic EraChaney died in 1930, but the blow didn slow down the trend he helped create. Indeed, with the advent of sound came a legacy that may stand unequalled in the annals of the genre. German Expressionism fueled the movement, as did anxieties about the Depression and the rise of fascism across the http://monstersbeatdrdrevip.webs.com globe. Horror movies, particularly those from Universal, gave audiences a safe catharsis for those fears. Bela Lugosi Dracula and Boris Karloff Frankenstein appeared in 1931, projects that Chaney would have likely headlined had he lived. Their immense success launched two decades worth of classic monster ,beats by dre outlet, pictures, including The Mummy, The Invisible Man, The Wolf Man, The Bride of Frankenstein, The Raven, The Old Dark House, The Black Cat, Werewolf of London and a seemingly endless array of sequels and spin-offs.The trappings of these movies quickly become horror clich spooky castles, gypsy curses and hunchbacked assistants and now serve as the basis for every elementary school Halloween decoration in the country. Lugosi and Karloff remain the definitive version of their respective characters, as do The Invisible Man Claude Rains, The Wolf Man Lon Chaney, Jr. and The Bride of Frankenstein Elsa Lanchester. Even as the trend faded in the late 1940s, Universal continued milking it most notably with the last of their monster movies, The Creature from the Black Lagoon in 1954, but also in satires and parodies like Abbot and Costello Meet Frankenstein.The 1950s and 1960sThe 50s saw a fundamental shift in the genre, as Gothic houses and romanticized undead gave way to the terrors of the atomic age. Universal http://beatsbydrdreonline2013.webs.com struggled to keep up with changing tastes, while ownership of the studio changed hands and various corporate owners began sticking their fingers in the pie. Though they produced a pair of minor class
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